Home  ›  Anime Wolves That Are the Goodest in the World Drawing

Anime Wolves That Are the Goodest in the World Drawing

Written By Friday, December 24, 2021 Add Comment Edit

1997 Japanese animated film directed by Hayao Miyazaki

Princess Mononoke
A young girl wearing an outfit has blood on her mouth and holds a mask and a knife along with a spear . Behind her is a large white wolf. Text below reveals the film's title and credits.

Japanese theatrical release poster
Japanese もののけ姫
Hepburn Mononoke-hime
Directed by Hayao Miyazaki
Written by Hayao Miyazaki
Produced by Toshio Suzuki
Starring
  • Yōji Matsuda
  • Yuriko Ishida
  • Yūko Tanaka
  • Kaoru Kobayashi
  • Masahiko Nishimura
  • Tsunehiko Kamijo
  • Akira Nagoya
  • Akihiro Miwa
  • Mitsuko Mori
  • Hisaya Morishige
Cinematography Atsushi Okui
Edited by Takeshi Seyama
Music by Joe Hisaishi

Production
company

Studio Ghibli
Distributed by Toho

Release date
  • July 12, 1997 (1997-07-12)

Running time

 133 minutes
Country Japan
Language Japanese
Budget
  • ¥2.1 billion
  • ($23.5 million)
Box office $169.7 million [1]

Princess Mononoke (Japanese: もののけ姫, Hepburn: Mononoke-hime ) is a 1997 Japanese epic historical fantasy film written and directed by Hayao Miyazaki, animated by Studio Ghibli for Tokuma Shoten, Nippon Television Network and Dentsu, and distributed by Toho. The film stars the voices of Yōji Matsuda, Yuriko Ishida, Yūko Tanaka, Kaoru Kobayashi, Masahiko Nishimura, Tsunehiko Kamijo, Akihiro Miwa, Mitsuko Mori and Hisaya Morishige.

Princess Mononoke is set in the late Muromachi period of Japan (approximately 1336 to 1573 CE), but it includes fantasy elements. The story follows a young Emishi prince named Ashitaka, and his involvement in a struggle between the gods of a forest and the humans who consume its resources. The term Mononoke (物の怪), or もののけ, is not a name, but a Japanese word for supernatural, shape-shifting beings that possess people and cause suffering, disease, or death.

The film was released in Japan on July 12, 1997, and in the United States on October 29, 1999. It was a critical and commercial blockbuster, becoming the highest-grossing film in Japan of 1997, and also held Japan's box office record for domestic films until 2001's Spirited Away, another Miyazaki film. It was dubbed into English with a script by Neil Gaiman, and initially distributed in North America by Miramax, where it sold well on DVD and video, despite a poor box office performance. The film greatly increased Ghibli's popularity and influence outside Japan.

Plot [edit]

In Muromachi Japan, an Emishi village is attacked by a hideous demon. The last Emishi prince, Ashitaka, kills it before it reaches the village, but it manages to grasp his arm and curse him before its death. The curse grants him some superhuman strength, but it also causes him pain and will eventually kill him. The villagers discover that the demon was a boar god, corrupted by an iron ball lodged in his body. The village's wise woman tells Ashitaka that he may find a cure in the western lands that the demon came from, and that he cannot return to his homeland.

Heading west, Ashitaka meets Jigo, an opportunistic monk who tells Ashitaka he may find help from the Great Forest Spirit, a deer-like animal god by day and a giant Night Walker by night. Nearby, men on a cliffside herd oxen to their home of Iron Town, led by Lady Eboshi, and repel an attack by a wolf pack led by the wolf goddess Moro, whom Eboshi wounds with a gun shot. Riding one of the wolves is San, a human girl. Down below, Ashitaka encounters San and the wolves, who rebuff his greeting. He then manages to rescue two of the men fallen from the cliff and transports them back through the forest, where he briefly glimpses the Great Forest Spirit.

Ashitaka and the survivors arrive at Iron Town, where he is greeted with fascination. Iron Town is a refuge for outcasts and lepers employed to process iron and create firearms, such as hand cannons and matchlock musket. Ashitaka learns that the town was built by clearcutting forests to mine the iron, leading to conflicts with Asano, a local daimyō, and a giant boar god named Nago. Eboshi admits that she shot Nago, incidentally turning him into the demon that attacked Ashitaka's village. She also reveals that San, dubbed Princess Mononoke, was raised by the wolves and resents humankind.

Suddenly, San infiltrates Iron Town to kill Eboshi. Ashitaka intervenes and quickly subdues Eboshi and San while they are locked in combat. Amidst the hysteria, he is shot by a villager but the curse gives him strength to carry San out of the village. San awakens and prepares to kill the weakened Ashitaka, but hesitates when he tells her that she is beautiful. She decides to trust him after the Forest Spirit heals his bullet wound that night. The next day, a boar clan led by the blind god Okkoto plans to attack Iron Town to save the forest. Eboshi sets out to kill the Forest Spirit with Jigo; Eboshi intends to give the god's head to the Emperor (who believes it will grant him immortality) in return for protection from Lord Asano, while Jigo desires the large reward being offered.

Ashitaka recovers and finds Iron Town besieged by Asano's samurai. The boar clan has also been annihilated in battle, and Okkoto is badly wounded. Jigo's men then trick Okkoto into leading them to the Forest Spirit. San tries to stop Okkoto but is swept up as his pain corrupts him into a demon. As everyone clashes at the pool of the Forest Spirit, Ashitaka saves San while the Forest Spirit kills Moro and Okkoto. As it begins to transform into the Night Walker, Eboshi decapitates it. Jigo steals the head, while the Forest Spirit's body bleeds ooze that spreads over the land and kills anything it touches. The forest and kodama begin to die; Moro's head comes alive and bites off Eboshi's right arm, but she survives.

After Iron Town is evacuated, Ashitaka and San pursue Jigo and retrieve the head, returning it to the Forest Spirit. The Spirit dies but its form washes over the land, healing it and lifting Ashitaka's curse. Ashitaka stays to help rebuild Iron Town, but promises San he will visit her in the forest. Eboshi vows to build a better town. The forest begins to regrow as a single kodama emerges from the brush.

Cast and characters [edit]

  • Yōji Matsuda voices Ashitaka (アシタカ), the last prince of the Emishi tribe whose traveling companion is Yakul (ヤックル, Yakkuru), a red elk (アカシシ, Akashishi), a non-existent species of elk that Miyazaki created for the film. Novelist Ali Shaw has described Yakul as being more similar to a red Lechwe than an elk.[2] Miyazaki called Ashitaka a "melancholic boy who has a fate" and stated that Ashitaka's curse "is similar to the lives of people [at the time]".[3] Ashitaka's English voice actor Billy Crudup stated that he liked Ashitaka as "an unexpected hero. He's not your usual wild, brave guy. He's really just a young, earnest man who's trying to lead a valuable life and protect his village."[4]
  • Yuriko Ishida voices San (サン), a young woman who was raised by the wolves and feels hatred for humans, but eventually comes to care for Ashitaka. In the English version, San is voiced by Claire Danes.
    • Ishida also voices Kaya (カヤ), Ashitaka's little sister who breaks the rules of the village to gift him her dagger to remember her by.[5] Tara Strong provides her voice in the English version.
  • Yūko Tanaka provides the voice of Lady Eboshi (エボシ御前, Eboshi Gozen), the ruler of Irontown who continually clears the forest. Miyazaki stated that Eboshi was supposed to have a traumatic past, although it is not specifically mentioned in the film.[3] Miyazaki said that Eboshi has a strong and secure personality, evident in the fact that she let Ashitaka move freely through the settlement unescorted, despite his unclear motives.[ citation needed ] He also said that Eboshi does not acknowledge the Emperor's authority in Irontown, a revolutionary view for the time, and displays an atypical attitude for a woman of that era in that she wouldn't hesitate to sacrifice herself or those around her for her dreams.[3] [ failed verification ] Miyazaki also said that Eboshi resembles a shirabyōshi.[6] Eboshi's English voice actress Minnie Driver stated that she was interested in "the challenge of playing [a] woman who supports industry and represents the interests of man, in terms of achievement and greed."[7] Driver viewed Eboshi as "a warrior, an innovator and a protector."[8]
  • Kaoru Kobayashi provides the voice of Jiko-bō (ジコ坊, called "Jigo" in the English version), a monk and mercenary who befriends Ashitaka on his journey to the west. Miyazaki was unsure whether to make Jiko-bō a government spy, a ninja, a member of a religious group or "a very good guy." He eventually decided to give him elements of the above groups.[3] In the English version, Jigo is voiced by Billy Bob Thornton.
  • Masahiko Nishimura voices Kohroku (甲六, Kōroku), an ox driver; John DeMita voices Kohroku in the English version. Miyazaki wrote Kohroku to be "an ordinary guy [who] didn't do anything heroic, right to the end", something he stated was contrary to films he'd made up to that point.[3]
  • Tsunehiko Kamijō provides the voice of Gonza (ゴンザ), Eboshi's bodyguard; he is voiced by John DiMaggio in the English version.
  • Akihiro Miwa voices Moro (モロの君, Moro no Kimi), a giant wolf god and San's adopted mother; Gillian Anderson provides her voice in the English version.
  • Mitsuko Mori provides the voice of Hii-sama (ヒイ様), the wise woman of Ashitaka's village. In the English version, Hii-sama is voiced by Debi Derryberry.
  • Hisaya Morishige provides the voice of Okkoto-nushi (乙事主, called "Okkoto" in the English version), a blind boar god. In the English version, Okkoto is voiced by Keith David, who also voices the narrator in the film's opening sequence.

The cast also includes: Akira Nagoya as the cattleman leader (牛飼いの長, Ushikai no Osa); Kimihiro Reizei as a Jibashiri (ジバシリ); Tetsu Watanabe as a mountain wolf (山犬, Yamainu); Makoto Sato as Nago (ナゴの守, Nago no Mori), a wild boar turned into a demon who curses Ashitaka when he attacks the Emishi village, voiced by John DiMaggio in the English version; and Sumi Shimamoto as Toki (トキ), Kohroku's wife, a former prostitute, and the leader of Eboshi's women, voiced by Jada Pinkett Smith in the English version.

Production [edit]

In the late 1970s, Miyazaki drew sketches of a film about a princess living in the woods with a beast.[9] Miyazaki began writing the film's plotline and drew the initial storyboards for the film in August 1994.[10] [11] He had difficulties adapting his early ideas and visualisations, because elements had already been used in My Neighbor Totoro and because of societal changes since the creation of the original sketches and image boards. This writer's block prompted him to accept a request for the creation of the On Your Mark promotional music video for the Chage and Aska song of the same title. According to Toshio Suzuki, the diversion allowed Miyazaki to return for a fresh start on the creation of Princess Mononoke. In April 1995, supervising animator Masashi Ando devised the character designs from Miyazaki's storyboard. In May 1995, Miyazaki drew the initial storyboards. That same month, Miyazaki and Ando went to the ancient forests of Yakushima, of Kyushu, an inspiration for the landscape of Nausicaä of the Valley of the Wind, and the mountains of Shirakami-Sanchi in northern Honshu for location scouting along with a group of art directors, background artists and digital animators for three days.[10] Animation production commenced in July 1995.[11] Miyazaki personally oversaw each of the 144,000 cels in the film,[12] [13] and is estimated to have retouched parts of 80,000 of them.[14] The final storyboards of the film's ending were finished only months before the Japanese premiere date.[15]

Inspired by John Ford, an Irish-American director best known for his Westerns, Miyazaki created Irontown as a "tight-knit frontier town" and populated it with "characters from outcast groups and oppressed minorities who rarely, if ever, appear in Japanese films." He made the characters "yearning, ambitious and tough."[16] Miyazaki did not want to create an accurate history of Medieval Japan, and wanted to "portray the very beginnings of the seemingly insoluble conflict between the natural world and modern industrial civilization."[17] The landscapes appearing in the film were inspired by Yakushima.[18] Despite being set during the Muromachi period, the actual time period of Princess Mononoke depicts a "symbolic neverwhen clash of three proto-Japanese races (the Jomon, Yamato and Emishi)."[19]

Princess Mononoke was produced with an estimated budget of ¥2.35 billion (approximately US$23.5 million).[20] [21] [22] [ better source needed ] It was mostly hand-drawn, but incorporates some use of computer animation in approximately ten percent of the film.[23] The computer animated parts are designed to blend in and support the traditional cel animation, and are mainly used in images consisting of a mixture of computer generated graphics and traditional drawing. A further 10 minutes uses inked-and-painted, a technique used in all subsequent Studio Ghibli films. Most of the film is colored with traditional paint, based on the color schemes designed by Miyazaki and Michiyo Yasuda. However, producers agreed on the installation of computers to successfully complete the film prior to the Japanese premiere date.[15] Telecom Animation Film Company and Oh! Production helped animate the film. Toei Animation and DR Movie helped with the painting process.[ citation needed ]

Two titles were originally considered for the film. One, ultimately chosen, has been translated into English as Princess Mononoke. The other title can be translated into English as The Legend of Ashitaka (アシタカ𦻙記, Ashitaka Sekki), and it contains an uncommon kanji 𦻙 that represents "a legend passed down from ear to ear without being recorded in official history", according to Miyazaki. In a Tokyo Broadcasting System program, televised on November 26, 2013, Toshio Suzuki mentioned that Miyazaki had preferred The Legend of Ashitaka as the title while Suzuki himself favoured Princess Mononoke, though the former title was eventually reused for the first song on the soundtrack.[24] [25] The English dub contains minor additional voice overs to explain nuances of Japanese culture to western audiences.[26]

Themes [edit]

A central theme of Princess Mononoke is the environment.[27] The film centers on the adventure of Ashitaka as he journeys to the west to undo a fatal curse inflicted upon him by Nago, a boar turned into a demon by Eboshi.[28] Michelle J. Smith and Elizabeth Parsons said that the film "makes heroes of outsiders in all identity politics categories and blurs the stereotypes that usually define such characters". In the case of the deer god's destruction of the forest and Tataraba, Smith and Parsons said that the "supernatural forces of destruction are unleashed by humans greedily consuming natural resources".[29] They also characterized Eboshi as a businesswoman who has a desire to make money at the expense of the forest, and also cite Eboshi's intention to destroy the forest to mine the mountain "embodies environmentalist evil".[28] Deirdre M. Pike writes that Princess Mononoke is simultaneously part of nature and part of the problem.[30] Mononoke represents the connection between the environment and humans, but also demonstrates that there is an imbalance in power between the two.[30]

Two other themes found in the plot of Princess Mononoke are sexuality and disability. Speaking at the International Symposium on Leprosy / Hansen's Disease History in Tokyo, Miyazaki explained that he was inspired to portray people living with leprosy, "said to be an incurable disease caused by bad karma", after visiting the Tama Zenshoen Sanatorium near his home in Tokyo.[31] Lady Eboshi is driven by her compassion for the disabled, and believes that blood from the Great Forest Spirit could allow her to "cure [her] poor lepers".[32] Michelle Jarman, Assistant Professor of Disability Studies at the University of Wyoming, and Eunjung Kim, Assistant Professor of Gender and Women's Studies at the University of Wisconsin–Madison, said the disabled and gendered sexual bodies were partially used as a transition from the feudal era to a hegemony that "embraces modern social systems, such as industrialization, gendered division of labor, institutionalization of people with diseases, and militarization of men and women." They likened Lady Eboshi to a monarch.[33] Kim and Jarman suggested that Eboshi's disregard of ancient laws and curses towards sex workers and lepers was enlightenment reasoning and her exploitation of disabled people furthered her modernist viewpoints.[34] Kim and Jarman conclude that Lady Eboshi's supposed benevolence in incorporating lepers and sex workers into her society leverages the social stigma attached to marginalized groups, pointing out that the hierarchical structures within Irontown still support the stigmatization of lepers and sex workers.[35]

An additional theme is the morally ambiguous conflict between humankind's growth and development and Nature's need for preservation. According to the Chicago Sun-Times's Roger Ebert, "It is not a simplistic tale of good and evil, but the story of how humans, forest animals and nature gods all fight for their share of the new emerging order."[36] Billy Crudup, who provided the English voice for Ashitaka, said "The movie was such an entirely different experience; it had a whole new sensibility I had never seen in animation. It also had something profound to say: that there has to be a give and take between man and nature. One of the things that really impressed me is that Miyazaki shows life in all its multi-faceted complexity, without the traditional perfect heroes and wicked villains. Even Lady Eboshi, who Ashitaka respects, is not so much evil as short-sighted." Minnie Driver, the English voice actress for Lady Eboshi, commented similarly: "It's one of the most remarkable things about the film: Miyazaki gives a complete argument for both sides of the battle between technological achievement and our spiritual roots in the forest. He shows that good and evil, violence and peace exist in us all. It's all about how you harmonize it all."[37] Anime historian Susan Napier said there is no clear good vs. evil conflict in Princess Mononoke, unlike other films popular with children. Based on the multiple point of views the film adopts, San and Lady Eboshi can simultaneously be viewed as heroic or villainous. San defends the forest and viewers empathize with her. But she also attacks innocent people, complicating how we evaluate her. Opposed to San, Eboshi tries to destroy the forest and could be considered a villain. But everything she does is out of a desire to protect her village and see it prosper. San and Lady Eboshi survive until film's end, defying the usual convention of good triumphing over evil with the antagonist defeated. Napier concluded that the resolution of the conflict is left ambiguous, implying that Lady Eboshi and San will be able to come to some sort of compromise. The ambiguity suggests that there are no true villains or heroes.[38]

Dan Jolin of Empire said that a potential theme could be that of lost innocence. Miyazaki attributes this to his experience of making his previous film, Porco Rosso, and the wars in the former Yugoslavia, which he cites as an example of mankind never learning, making it difficult for him to go back to making a film such as Kiki's Delivery Service, where he has been quoted as saying "It felt like children were being born to this world without being blessed. How could we pretend to them that we're happy?"[39]

Duality is central to Eboshi's characterization. Benjamin Thevenin, Assistant Professor of Theater and Media Arts at Brigham Young University, said Eboshi does not fully understand the harm she does to the spirits. Her focus is on creating a safe home for her people. She holds no malicious intent toward nature and its spirits until they begin attacking her people. Once nature attacks, she gathers her soldiers to protect the inhabitants of her town, a place where all are welcome. Irontown is a haven for former sex workers and lepers. She brings them to Irontown and gives them jobs, hospitality, and a kindness that they have never experienced before. The same treatment goes for all Irontown's inhabitants, not just the sickly and the scorned. Lady Eboshi treats everyone equally, no matter the race, sex, or history of the individual, creating a caring community. While Eboshi hates San and the forest spirits, she keeps a garden in her town. Her care for the garden implies that her intention is not to ravage nature to no end, but rather to help her own people. Thevenin concluded that although Eboshi can be seen as the film's villain, she is also a hero to the citizens of Irontown and to humankind in general.[40]

Another theme in this film is between individualism and societal conformity. According to University of Bristol professors Christos Ellinas, Neil Allan and Anders Johansson, this struggle can be seen between San, a strong individualistic force, and Eboshi, the leader of a great society. San has fully committed to living with the wolves in the forest and to renouncing her association with the human race. Eboshi has vowed to sustain her society of Irontown by any means including destroying the environment. The people of Irontown have a cohesive ideology and agree with Eboshi to protect Irontown at the cost of the environment's destruction. This conformity can be found within their society, because "even though there is an envisioned culture at which an organization abides to, achieving coherence at lower aggregation levels (e.g. individuals) is increasingly challenging due to its emergent nature".[41]

Release [edit]

Princess Mononoke was released theatrically in Japan on July 12, 1997.[42] The film was extremely successful in Japan and with both anime fans and arthouse moviegoers in English-speaking countries. Since Walt Disney Studios had made a distribution deal with Tokuma Shoten for Studio Ghibli's films in 1996, it was the first film from Studio Ghibli along with Kiki's Delivery Service and Castle in the Sky to have been dubbed into English by Disney; in this case, subsidiary Miramax Films was assigned to release the movie in America on October 29, 1999. In response to demands from Miramax chairman Harvey Weinstein to edit the film, one of Miyazaki's producers sent Weinstein a samurai sword with the message: "No cuts."[43] Promotion manager, Steve Alpert, revealed that Weinstein had wanted to trim the film down from 135 minutes to 90 minutes "despite having promised not to do so." When Alpert informed him that Miyazaki would not agree to these demands, Weinstein flew into one of his infamous rages and threatened Alpert that he would "never work in this...industry again".[44] Weinstein hired Neil Gaiman to write the English script, and he chose to simplify some of the Japanese terminology for this dub, with words like "Jibarashi" becoming "Mercenary" and Shishigami becoming "Forest Spirit". According to him at one of the American screenings of the dub, the release was somewhat delayed because the original recordings deviated from the English script as written.[45] Despite Gaiman's independent fame as an author, his role as scriptwriter for the dub was not heavily promoted: Studio Ghibli requested that Miramax remove some executives' names from the poster for the film, but the executives (Harvey Weinstein, Bob Weinstein, and Scott Martin) decided that Gaiman's name was contractually expendable.[46]

On April 29, 2000, the English-dub version of Princess Mononoke was released theatrically in Japan along with the documentary Mononoke hime in U.S.A..[42] The documentary was directed by Toshikazu Sato and featured Miyazaki visiting the Walt Disney Studios and various film festivals.[42] [47] The film had a limited theatrical re-release in the United States during July 2018.[48]

Box office [edit]

Princess Mononoke was the highest-grossing Japanese film of 1997, earning ¥11.3 billion in distribution rental earnings.[49] It became the highest-grossing film in Japan, beating the record set by E.T. in 1982, but was surpassed several months later by Titanic.[50] The film earned total domestic gross receipts of ¥20.18 billion.[51]

It was the top-grossing anime film in the United States in January 2001, but the film did not fare as well financially in the country when released in October 1999. It grossed $2,298,191 for the first eight weeks.[52] [48] It showed more strength internationally, where it earned a total of $11 million outside Japan, bringing its worldwide total to $159,375,308 at the time.[48] On December 6, 2016, GKIDS announced that it will screen the film in US cinemas on January 5 and January 9, 2017 to celebrate its 20th anniversary,[53] bundled with On Your Mark short.[54] The film's limited US re-release in 2018 grossed $1,423,877 over five days, bringing its US total to $3,799,185 and worldwide total to $160,799,185.[48] As of 2020[update], the film has grossed $194.3 million.[1]

Home media [edit]

In Japan, the film was released on VHS by Buena Vista Home Entertainment on June 26, 1998.[55] [ failed verification ] A LaserDisc edition was also released by Tokuma Japan Communications on the same day. The film was released on DVD by Buena Vista Home Entertainment on November 21, 2001, with bonus extras added, including the international versions of the film as well as the storyboards.[55] [ failed verification ] By 2007, Princess Mononoke sold 4.4million DVD units in Japan.[56] At an average retail price of ¥4,700, this is equivalent to approximately ¥20,680 million ($259.18 million) in Japanese sales revenue as of 2007.[57]

In July 2000, Buena Vista Home Entertainment via Miramax Home Entertainment announced plans to release the film on VHS and DVD in North America on August 29.[58] Initially, the DVD version of Princess Mononoke wasn't going to include the Japanese-language track at the request of Buena Vista's Japan division. Because that the film hadn't been released on DVD in Japan yet, there were concerns that "a foreign-released DVD containing the Japanese language track will allow for the importation of such a DVD to Japan, which could seriously hurt the local sales of a future release of the [film]".[59] The fansite Nausicaa.net organized an email campaign for fans to include the Japanese language track,[59] while DVD Talk began an online petition to retain the Japanese language track.[60] The DVD release of Princess Mononoke was delayed as a result.[61] Miramax Home Entertainment released the DVD on December 19, 2000 with the original Japanese audio, the English dubbed audio and extras including a trailer and a documentary with interviews from the English dub voice actors.[62] The film was released on Blu-ray disc in Japan on December 4, 2013.[63]

Walt Disney Studios Home Entertainment released Princess Mononoke on Blu-ray Disc on November 18, 2014.[64] In its first week, it sold 21,860 units; by November 23, 2014, it had grossed $502,332.[65] It was later included in Disney's "The Collected Works of Hayao Miyazaki" Blu-ray set, released on November 17, 2015.[66] GKIDS re-issued the film on Blu-ray and DVD on October 17, 2017.[67] In total, Mononoke 's video releases in Japan and the United States sold approximately $260 million.

Reception [edit]

Critical response [edit]

As of January 2021, on the review aggregator website Rotten Tomatoes, 93% of 110 critic reviews are positive for Princess Mononoke, with an average rating of 8.00/10. The website's consensus reads, "With its epic story and breathtaking visuals, Princess Mononoke is a landmark in the world of animation."[68] According to Metacritic, which assigned an average score of 76 out of 100 based on 29 reviews, the film received "generally favorable reviews".[69]

The Daily Yomiuri 's Aaron Gerow called the film a "powerful compilation of Miyazaki's world, a cumulative statement of his moral and filmic concerns."[70] Leonard Klady of Variety said that Princess Mononoke "is not only more sharply drawn, it has an extremely complex and adult script" and the film "has the soul of a romantic epic, and its lush tones, elegant score by Joe Hisaishi and full-blooded characterizations give it the sweep of cinema's most grand canvases".[71] Roger Ebert of the Chicago Sun-Times called Princess Mononoke "a great achievement and a wonderful experience, and one of the best films of the year. […] You won't find many Hollywood love stories (animated or otherwise) so philosophical."[72] Ty Burr of Entertainment Weekly called the film "a windswept pinnacle of its art" and that it "has the effect of making the average Disney film look like just another toy story".[73] Kenneth Turan of the Los Angeles Times said that the film "brings a very different sensibility to animation, a medium [Miyazaki] views as completely suitable for straight dramatic narrative and serious themes."[74] In his review, Dave Smith from Gamers' Republic called it "one of the greatest animated films ever created, and easily one of the best films of 1999."[75]

Roger Ebert placed Princess Mononoke sixth on his top ten movies of 1999.[76] In 2001, the Japanese magazine Animage ranked Princess Mononoke 47th in their list of 100 Best Anime Productions of All Time.[77] It ranked 488th on Empire 's list of the 500 greatest films.[78] Time Out ranked the film 26th on 50 greatest animated films.[79] It also ranked 26 on Total Film's list of 50 greatest animated films.[80]

James Cameron cited Princess Mononoke as an influence on his 2009 film Avatar. He acknowledged that it shares themes with Princess Mononoke, including its clash between cultures and civilizations, and cited Princess Mononoke as an influence on the ecosystem of Pandora.[81]

Accolades [edit]

Princess Mononoke is the first animated feature film to win the Japan Academy Prize for Best Picture.[82] For the 70th Academy Awards ceremony, Princess Mononoke was the Japanese submission to be nominated for the Academy Award for Best Foreign Language Film, but was not successfully nominated.[83] Hayao Miyazaki was also nominated for an Annie Award for his work on the film.[84]

Year Award Category Recipient Result
1997 52nd Mainichi Film Awards Best Film Princess Mononoke [85] Won
Best Animation Film Princess Mononoke [85] Won
Japanese Movie Fans' Choice Princess Mononoke [85] Won
10th Nikkan Sports Film Awards Best Director Hayao Miyazaki Won
Yūjirō Ishihara Award Princess Mononoke [85] Won
1998 21st Japan Academy Awards Picture of the Year Princess Mononoke [82] Won
40th Blue Ribbon Awards Special Award Princess Mononoke Won
22nd Hochi Film Awards Special Award Princess Mononoke Won
2000 28th Annie Awards Outstanding Individual Achievement for Directing
in an Animated Feature Production 		Hayao Miyazaki
(English language version)[86] 		Nominated
4th Golden Satellite Awards Best Animated or Mixed Media Film Princess Mononoke Nominated
2001 27th Saturn Awards Best Home Video Release Princess Mononoke Won

Soundtrack [edit]

Princess Mononoke: Music from the Motion Picture
Soundtrack album by

Joe Hisaishi
Released July 2, 1997 (Japan)
October 12, 1999 (North America)
Recorded 1997
Length 65:05
Label Milan (North America)
Tokuma Japan Communications (Japan)

The film score of Princess Mononoke was composed and performed by Joe Hisaishi, the soundtrack composer for nearly all of Miyazaki's productions, and Miyazaki wrote the lyrics of the two vocal tracks, "The Tatara Women Work Song" and its title song. The music was performed by Tokyo City Philharmonic Orchestra and conducted by Hiroshi Kumagai. The soundtrack was released in Japan by Tokuma Japan Communications on July 2, 1997, and the North American version was released by Milan Records on October 12, 1999.

The titular theme song was performed by counter-tenor Yoshikazu Mera. For the English adaptation, Sasha Lazard sang the song. During the movie Hisaishi makes use of a few known classical pieces and quotes them, such as Dmitri Shostakovich's 5th symphony. As with other Studio Ghibli films, additional albums featuring soundtrack themes in alternative versions have been released. The image album features early versions of the themes, recorded at the beginning of the film production process, and used as source of inspiration for the various artists involved. The symphonic suite features longer compositions, each encompassing several of the movie themes, performed by the Czech Philharmonic Orchestra conducted by Mario Klemens.

Stage adaptation [edit]

In 2012, it was announced that Studio Ghibli and British theatre company Whole Hog Theatre would be bringing Princess Mononoke to the stage. It is the first stage adaptation of a Studio Ghibli work.[87] The contact between Whole Hog Theatre and Studio Ghibli was facilitated by Nick Park of Aardman Animations after he sent footage of Whole Hog performances to Studio Ghibli's Toshio Suzuki.[88] The play features large puppets made out of recycled and reclaimed materials.[89]

The first performances were scheduled for London's New Diorama Theatre and sold out in 72 hours, a year in advance.[90] [91] In March 2013, it was announced that the show would transfer to Japan after its first run of shows in London. A second series of performances followed in London after the return from Tokyo. The second run of London performances sold out in four and half hours.[92] [93] The play received positive reviews and was one of Lyn Gardner's theatre picks in The Guardian.[94] [95] [96] [97] [98] On April 27, 2013, the play was presented at Nico Nico Douga's Cho Party and was streamed online in Japan.[99] [100]

See also [edit]

  • List of submissions to the 70th Academy Awards for Best Foreign Language Film
  • List of Japanese submissions for the Academy Award for Best Foreign Language Film

References [edit]

  1. ^ a b Loo, Egan (December 15, 2020). "Spirited Away, 3 Other Ghibli Films' Box Office Totals Rose Due to This Year's Revival Screenings". Anime News Network . Retrieved December 22, 2020.
  2. ^ Jahn, Pam (January 7, 2016). "Ali Shaw is Yakul from Princess Mononoke". Electric Sheep . Retrieved December 11, 2019.
  3. ^ a b c d e "Interview: Miyazaki on Mononoke-hime". Nausicaa.net. Translated by Ryoko Toyama. Tokuma Shoten. July 1997. Retrieved June 14, 2010. CS1 maint: others (link)
  4. ^ "Princess Mononoke – The Characters". Miramax Films. p. 3. Archived from the original on June 16, 2008. Retrieved September 23, 2012.
  5. ^ "Interview: Miyazaki on Mononoke-hime". Nausicaa.net. Translated by Ryoko Toyama. Tokuma Shoten. July 1997. Retrieved February 26, 2021. Q: Kaya, who saw Ashitaka off, loved Ashitaka, didn't she?
    M: Yes of course. She calls him "Anisama (older brother)", but it just means that he is an older boy in her clan.
    Q: So they are not real brother and sister.
    M: If they were, that wouldn't be interesting at all. There used to be a lot of marriage among blood relations in Japan. I thought of Kaya as a girl who is determined to do so (marry Ashitaka). But Ashitaka chose San. It's not strange at all to live with San, who lives with such a brutal fate. That's life.         CS1 maint: others (link)
  6. ^ Leavey, John (2010). "Possessed by and of: Up against Seeing: Princess Mononoke". ImageTexT. University of Florida. 5 (2). Retrieved September 11, 2012.
  7. ^ "Princess Mononoke – The Characters". Miramax Films. p. 5. Archived from the original on June 16, 2008. Retrieved September 23, 2012.
  8. ^ "Princess Mononoke – The Characters". Miramax Films. p. 7. Archived from the original on June 16, 2008. Retrieved September 23, 2012.
  9. ^ McCarthy 2005, p. 182. sfn error: no target: CITEREFMcCarthy2005 (help)
  10. ^ a b "制作日誌 1994年8月～95年5月". Studio Ghibli. Retrieved September 14, 2012.
  11. ^ a b McCarthy 1999, p. 185.
  12. ^ Toyama, Ryoko. "Princess Mononoke – Frequently Asked Questions". Nausicaa.net . Retrieved July 30, 2021.
  13. ^ Fuster, Jeremy (January 6, 2017). "'Princess Mononoke' Turns 20: 10 Things You Probably Didn't Know About The Animated Classic". TheWrap . Retrieved July 30, 2021.
  14. ^ "Hayao Miyazaki Chat Transcript – Movie: Princess Mononoke". princess-mononoke.com. Miramax Films. November 4, 1999. Archived from the original on June 29, 2007. Retrieved September 14, 2012. Q: The report is that you retouched by hand over 80,000 cels of animation in Mononoke Hime. Is this true?
    M: I certainly never counted how many cels one by one. But I look at and sign off on every cel. It's not like every cel needs correcting or touching up. Many are perfect the way they are. That that makes me very gratified. My job is to maintain overall, in every cel, a standard that I have set for the film. So as long as each cel reaches that standard, the less work for me.
  15. ^ a b Toshio Uratani (2004). Princess Mononoke: Making of a Masterpiece (Documentary). Japan: Buena Vista Home Entertainment.
  16. ^ "The Myth of Princess Mononoke and Miyazaki's vision". Miramax Films. p. 2. Archived from the original on May 25, 2008. Retrieved September 15, 2012.
  17. ^ "The Myth of Princess Mononoke and Miyazaki's vision". Miramax Films. p. 5. Archived from the original on October 25, 2007. Retrieved September 15, 2012.
  18. ^ もののけ姫 ロケ地情報 (in Japanese). Retrieved September 1, 2012.
  19. ^ Clements & McCarthy 2005, p. 505. sfn error: no target: CITEREFClementsMcCarthy2005 (help)
  20. ^ "Wettbewerb/In Competition". Moving Pictures, Berlinale Extra. Berlin: 32. February 11–22, 1998.
  21. ^ "Movie-Vault.com". Movie-Vault.com. March 28, 2005. Archived from the original on November 4, 2013. Retrieved November 1, 2013.
  22. ^ "Articles about Mononoke Hime". Webcitation.org. Archived from the original on October 21, 2009. Retrieved November 1, 2013.
  23. ^ "The Animation Process". Miramax Films. November 4, 1999. Archived from the original on November 20, 2006. Retrieved September 14, 2012.
  24. ^ Miyazaki, Hayao (July 31, 1996). "「もののけ姫」 企画書" [Princess Mononoke Planning Memo]. 出発点 [Starting Point]. San Francisco: Viz Media. pp. 272–274. ISBN978-1-4215-0594-7. Archived from the original on August 28, 2014. Retrieved December 16, 2013.
  25. ^ Matsumoto, Hitoshi; Hamada, Masatoshi (November 26, 2013). "鈴木 敏夫 100秒博士アカデミー" [Toshio Suzuki, 100 Byo Hakase Academy]. 100秒博士アカデミー (in Japanese). TBS. RCC. Archived from the original on January 29, 2014. Retrieved January 28, 2014.
  26. ^ staff. "A more complete look at the dubbed version of MONONOKE HIME (aka Princess Mononoke)". Aint It Cool News . Retrieved January 24, 2020.
  27. ^ Gwendolyn Morgan (2015). "Creatures in Crisis: Apocalyptic Environmental Visions in Miyazaki's Nausicaä of the Valley of the Wind and Princess Mononoke". Resilience: A Journal of the Environmental Humanities. 2 (3): 172–183. doi:10.5250/resilience.2.3.0172. JSTOR 10.5250/resilience.2.3.0172. S2CID 156400474.
  28. ^ a b Smith & Parsons 2012, p. 28.
  29. ^ Smith & Parsons 2012, pp. 26–27.
  30. ^ a b Pike, Deidre M. (2014). Enviro-Toons: Green Themes in Animated Cinema and Television. Jefferson, NC: McFarland & Company, Inc., Publishers. p. 159. ISBN978-0-7864-9002-8.
  31. ^ Kitano, Ryuichi (January 29, 2016). "Hayao Miyazaki: Leprosy scene in 'Mononoke Hime' inspired by real-life experience". Asahi Shimbun. Archived from the original on January 30, 2016. Retrieved January 29, 2016.
  32. ^ Wendi, Sierra; Alysah, Berwald; Melissa, Guck; Erica, Maeder (January 1, 2015). "Nature, Technology, and Ruined Women: Ecofeminism and Princess Mononoke". The Seneca Falls Dialogues Journal. 1 (1).
  33. ^ Kim & Jarman 2008, p. 54.
  34. ^ Kim & Jarman 2008, pp. 56–57.
  35. ^ Kim & Jarman 2008, p. 58.
  36. ^ Ebert, Roger (October 29, 1999). "Princess Mononoke". Rogerebert.com. Retrieved January 29, 2016.
  37. ^ McCarter, Charles (October 20, 1999). "The Remaking of a Myth: Princess Mononoke in America". Ex.org – EX: The Online World of Anime & Manga. Archived from the original on August 6, 2010. Retrieved January 29, 2016. CS1 maint: unfit URL (link)
  38. ^ Napier, Susan J. (2001). Anime from Akira to Princess Mononoke . Palgrave Macmillan US. pp. 175–192. ISBN9780312238636.
  39. ^ Dan Jolin (September 2009). "Miyazaki on Miyazaki: The animation genius on his movies". Empire . Retrieved May 6, 2015.
  40. ^ Thevenin, Benjamin (October 1, 2013). "Princess Mononoke and beyond: New nature narratives for children". Interactions: Studies in Communication & Culture. 4 (2): 147–170. doi:10.1386/iscc.4.2.147_1.
  41. ^ Ellinas, Christos; Allan, Neil; Johansson, Anders (June 30, 2017). "Dynamics of organizational culture: Individual beliefs vs. social conformity". PLOS ONE. 12 (6): e0180193. arXiv:1708.06736. Bibcode:2017PLoSO..1280193E. doi:10.1371/journal.pone.0180193. ISSN 1932-6203. PMC5493361. PMID 28665960.
  42. ^ a b c Galbraith IV 2008, p. 414.
  43. ^ Brooks, Xan (September 14, 2005). "A god among animators". The Guardian. London. Retrieved May 22, 2010.
  44. ^ Medina, Joseph Jammer (June 2, 2020). "Apparently, Harvey Weinstein Lost His S**t Over Hayao Miyazaki's Princess Mononoke". LRM Online.
  45. ^ https://web.archive.org/web/20001005160010/http://www.ex.org/4.6/02-editorial.html
  46. ^ Anderson, Kyle. "Why People Forget Neil Gaiman Wrote MONONOKE's Dub". Nerdist . Retrieved October 30, 2020.
  47. ^ Galbraith IV 2008, p. 415.
  48. ^ a b c d "Princess Mononoke". Box Office Mojo. Internet Movie Database. Retrieved June 14, 2019.
  49. ^ "Kako haikyū shūnyū jōi sakuhin 1997-nen" (in Japanese). Motion Picture Producers Association of Japan. Retrieved February 16, 2011.
  50. ^ Ebert, Roger (October 24, 1999). "Director Miyazaki draws American attention". Chicago Sun-Times. Archived from the original on January 31, 2018. Retrieved August 27, 2009.
  51. ^ "歴代興収ベスト100" [All-time box office top 100] (in Japanese). Kogyo Tsushinsha. Archived from the original on August 8, 2017. Retrieved December 22, 2020.
  52. ^ "Anime Radar: News". Animerica. San Francisco, California: Viz Media. 9 (2): 32. March 2001. ISSN 1067-0831. OCLC 27130932.
  53. ^ "'Princess Mononoke: 20th Anniversary' Comes to U.S. Cinemas on January 5 and 9 Only". Anime News Network. December 6, 2016. Retrieved December 10, 2020.
  54. ^ "Princess Mononoke to Screen in U.S. Theaters With 'On Your Mark' Short". Anime News Network. December 6, 2016. Retrieved December 10, 2020.
  55. ^ a b もののけ姫 (in Japanese). Walt Disney Japan. Retrieved September 15, 2012.
  56. ^ 均, 中村 (May 23, 2007). "110万冊無料配布。"ゲドを読む。"の狙いを読む 宮崎吾朗監督作品「ゲド戦記」DVDのユニークなプロモーション". Nikkei Business (in Japanese). Nikkei Business Publications. Archived from the original on August 16, 2018. Retrieved August 16, 2018.
  57. ^ "Video List: Mononoke Hime". Nausicaa.net . Retrieved August 15, 2018.
  58. ^ "Buena Vista Mononoke DVD Release". Nausicaa.net. Retrieved September 15, 2012.
  59. ^ a b "Subtitle Mononoke Poll". Nausicaa.net. Retrieved September 15, 2012.
  60. ^ "New Petition for Mononoke". Anime News Network. July 3, 2000. Retrieved September 15, 2012.
  61. ^ "Disney Blinks". Anime News Network. August 1, 2000. Retrieved September 15, 2012.
  62. ^ "Princess Mononoke DVD Confirmed". Anime News Network. October 11, 2000. Retrieved September 15, 2012.
  63. ^ "もののけ姫". Walt Disney Studios Japan. August 21, 2013. Retrieved December 7, 2013.
  64. ^ "Details for Studio Ghibli's "Princess Mononoke", "Kiki's Delivery Service", "The Wind Rises" on Disney Blu-ray". www.toonzone.net. Archived from the original on October 12, 2014. Retrieved September 26, 2014.
  65. ^ "Mononoke-hime (1999) – Video Sales". The Numbers . Retrieved August 15, 2018.
  66. ^ "The complete Hayao Miyazaki collection is pretty enough to spirit you away". www.polygon.com . Retrieved April 30, 2015.
  67. ^ Carolyn Giardina (July 17, 2017). "Gkids, Studio Ghibli Ink Home Entertainment Deal". The Hollywood Reporter . Retrieved July 17, 2017.
  68. ^ "Princess Mononoke (Mononoke-hime)". Rotten Tomatoes. Flixster. Retrieved March 18, 2018.
  69. ^ "Princess Mononoke". Metacritic. CBS Interactive. Retrieved September 11, 2012.
  70. ^ Gerow, Aaron (July 10, 1997). "A Spirited Battle for Nature". Daily Yomiuri. p. 9.
  71. ^ Klady, Leonard (January 29, 1998). "Princess Mononoke". Variety. Reed Business Information. Retrieved September 14, 2012.
  72. ^ "Princess Mononoke". Chicago Sun-Times. October 29, 1999. Retrieved September 14, 2012.
  73. ^ Burr, Ty (October 29, 1999). "Princess Mononoke Review". Entertainment Weekly . Retrieved September 14, 2012.
  74. ^ Turan, Kenneth (October 29, 1999). "'Mononoke' a Haunting, Magical World of Fantasy". Los Angeles Times. p. 1. Retrieved September 14, 2012.
  75. ^ "Anime Republic". Gamers' Republic. 19 (2–07). December 1999.
  76. ^ Roger Ebert. "Roger Ebert's Top Ten Lists 1967–2006". Archived from the original on December 31, 2007. Retrieved December 22, 2007.
  77. ^ "Animage Top-100 Anime Listing". Anime News Network. January 15, 2001. Retrieved March 10, 2013.
  78. ^ "The 500 Greatest Movies of All Time". Empire. Bauer Consumer Media. Retrieved June 14, 2010.
  79. ^ "Time Out's 50 greatest animated films: Part 3". Time Out. Archived from the original on October 8, 2009. Retrieved September 15, 2012.
  80. ^ Kinnear, Simon. "50 Greatest Animated Movies". TotalFilm.com. Retrieved December 18, 2012.
  81. ^ Ito, Norihiro (December 25, 2009). "新作「アバター」宮崎アニメにオマージュ Ｊ・キャメロン監督 (New Film Avatar Homage to Miyazaki's Animated Film: J. Cameron)". Sankei Shimbun (in Japanese). Archived from the original on December 28, 2009. Retrieved March 10, 2010.
  82. ^ a b "21st Japan Academy Prize Winners". Japan Academy Awards. Retrieved May 1, 2015.
  83. ^ "44 Countries Hoping for Oscar Nominations" (Press release). Academy of Motion Picture Arts and Sciences. November 24, 1997. Archived from the original on February 13, 1998. Retrieved December 7, 2008.
  84. ^ "Annie Awards (2000)". IMDb. November 11, 2000. Retrieved May 2, 2015.
  85. ^ a b c d "52nd Mainichi Film Awards Winners". Mainichi . Retrieved May 1, 2015.
  86. ^ "28th Annual Annie Awards (2000)". Retrieved May 2, 2015.
  87. ^ "An Anime Hit Is Reborn on the Stage". Wall Street Journal . Retrieved April 27, 2013.
  88. ^ "Studio Ghibli Explains How UK "Princess Mononoke" Stage Play Got OKed". CrunchyRoll. Retrieved April 27, 2013.
  89. ^ "EXCLUSIVE: News on the Upcoming Stage Adaptation of Miyazaki Hayao's Anime Classic PRINCESS MONONOKE!". Twitch. Archived from the original on June 1, 2015. Retrieved March 11, 2013.
  90. ^ "Official Stage Adaptation of 'Princess Mononoke' Coming To London; Sold Out Almost A Year In Advance". Slash Film. September 24, 2012. Retrieved March 11, 2013.
  91. ^ "Princess Mononoke Comes to London Stage". Escapist Magazine. July 19, 2012. Retrieved March 11, 2013.
  92. ^ "Princess Mononoke Stage Play Heads to Japan". Anime News Network . Retrieved March 11, 2013.
  93. ^ "Whole Hog Theatre Announces Further Performances of Princess Mononoke at the New Diorama Theatre, London". Anime News Network . Retrieved March 11, 2013.
  94. ^ "UK stage adaptation of Princess Mononoke met with praise". Flixster. Retrieved April 27, 2013.
  95. ^ "Princess Mononoke – New Diorama Theatre, London". The Public Reviews. Retrieved April 27, 2013.
  96. ^ "Review of Princess Mononoke Play at the New Diorama Theatre by Wholehog Theatre". Anime UK News. April 7, 2013. Retrieved April 27, 2013.
  97. ^ "PRINCESS MONONOKE". West End Wilma. April 9, 2013. Retrieved April 27, 2013.
  98. ^ "What to see: Lyn Gardner's theatre tips". The Guardian. London. March 29, 2013. Retrieved April 27, 2013.
  99. ^ "Cho Pary- First Night". Nico Nico Douga. Archived from the original on April 23, 2013. Retrieved April 27, 2013.
  100. ^ "Cho Pary- online". Nico Nico Douga. Retrieved April 27, 2013.
Sources
  • Bigelow, Susan J. (March 2009). "Technologies of perception: Miyazaki in theory and practice". Animation. Sage Publications. 4 (1): 55–75. doi:10.1177/1746847708099740. ISSN 1746-8477. S2CID 146647853.
  • Clarke, James (May 2010). "Ecology and Animation: Animation Gone Wild: Bambi vs Princess Mononoke". Imagine. Bristol: Wildfire Communications. 31: 36–39. ISSN 1748-1244.
  • Clements, Jonathan; McCarthy, Helen (2006). "Princess Mononoke". The Anime Encyclopedia: A Guide to Japanese Animation since 1917. California: Stone Bridge Press. pp. 505–506. ISBN1-933330-10-4.
  • Delorme, Gérard (January 2000). "Princesse Mononoké". Premiere (in French). Hachette Filipacchi Associés (275): 61–62. ISSN 0399-3698.
  • Doyle, Wyatt (December 1998). "Disney Turning Japanese". Asian Cult Cinema (21): 25–28.
  • Fitzpatrick, Michael (June 1997). "Front desk clips: manga mouse!". Empire (96): 30.
  • Galbraith IV, Stuart (2008). The Toho Studios Story: A History and Complete Filmography. Scarecrow Press. ISBN978-1461673743.
  • Génin, Bernard (January 12, 2000). "Princess Mononoke". Télérama (in French) (2609): 30.
  • Harrison, Genevieve (August 2000). "Mononoke hokey cokey". Empire. Bauer (134): 20.
  • Hazelton, John (November 12, 1999). "Animated English accent". Screen International. EMAP (1234): 8. ISSN 0307-4617.
  • Khoury, George (November 1999). "An interview with Neil Gaiman". Creative Screenwriting. 6 (6): 63–65. ISSN 1084-8665.
  • Kim, Eunjung; Jarman, Michelle (April 2008). "Modernity's Rescue Mission: Postcolonial Transactions of Disability and Sexuality" (PDF). Canadian Journal of Film Studies. 17 (1): 52–68. doi:10.3138/cjfs.17.1.52. ISSN 0847-5911.
  • Leyland, Matthew (June 2006). "Princess Mononoke". Sight and Sound. British Film Institute. 16 (6): 90–91. ISSN 0037-4806.
  • McCarthy, Helen (1999). "Princess Mononoke: The Nature of Love". Hayao Miyazaki: Master of Japanese Animation. Berkeley, California: Stone Bridge Press. pp. 181–204. ISBN978-1880656419.
  • Napier, Susan J. (2005) [2001]. "Princess Mononoke: Fantasy, the Feminine and the Myth of Progress". Anime from Akira to Howl's Moving Castle: Experiencing Contemporary Japanese Animation (2nd ed.). New York: Palgrave Macmillan. pp. 231–248. ISBN978-1403970510.
  • Pedroletti, Brice (June 9, 2000). "L'animation d'auteur veut s'imposer au pays de Pikachu". Le Film Français (in French). Mondadori France (2382): 15–17. ISSN 0397-8702.
  • Schilling, Mark (July 18, 1997). "Marketing Focus: By royal appointment". Screen International. EMAP (1117): 11. ISSN 0307-4617.
  • Schilling, Mark (1999). Princess Mononoke: The Art and Making of Japan's Most Popular Film of All Time. New York City: Miramax/Hyperion Media. ISBN978-0786883851.
  • Smith, Michelle J.; Parsons, Elizabeth (February 2012). "Animating child activism: Environmentalism and class politics in Ghibli's Princess Mononoke (1997) and Fox's Fern Gully (1992)". Continuum: Journal of Media & Cultural Studies. Routledge. 26 (1): 25–37. doi:10.1080/10304312.2012.630138. S2CID 144411247.
  • Vitaris, Paula (1999). "Princess Mononoke". Cinefantastique. 31 (4): 7. ISSN 0145-6032.

External links [edit]

  • Official website at Disney
  • Princess Mononoke Production Diary at Studio Ghibli (in Japanese)
  • Mononoke-hime at IMDb
  • Mononoke Hime at The Big Cartoon DataBase
  • Princess Mononoke at AllMovie
  • Princess Mononoke at Box Office Mojo
  • Princess Mononoke at Rotten Tomatoes
  • Princess Mononoke (film) at Anime News Network's encyclopedia
  • Animerica review at the Wayback Machine (archived April 7, 2004)

Anime Wolves That Are the Goodest in the World Drawing

Source: https://en.wikipedia.org/wiki/Princess_Mononoke

0 Response to "Anime Wolves That Are the Goodest in the World Drawing"

Post a Comment

Subscribe to: Post Comments (Atom)

Iklan Atas Artikel

Iklan Tengah Artikel 1

Iklan Tengah Artikel 2

Iklan Bawah Artikel